找诗词>英语词典>art object翻译和用法

art object

英 [ɑːt ˈɒbdʒɪkt]

美 [ɑːrt ˈɑːbdʒekt]

网络  艺术品; 艺术物品; 艺术对象; 艺术物; 一种艺术对象

经济

英英释义

noun

  • a work of art of some artistic value
    1. this store sells only objets d'art
    2. it is not known who created this piece
    Synonym:objet d'artpiece

双语例句

  • With the two art districts as the object of study, this thesis, starting from multiple angles, conducts the field investigation including case study, interview and questionnaire respectively, and interprets the two districts theoretically and endows them with certain significance.
    本文选择两个艺术区作为研究对象,从多角度出发,分别进行个案研究、访谈、问卷调查等田野考察,对两者进行理论性阐释并赋予其一定意义。
  • Oriental Art is the object of study in Hegel's Aesthetics when he talks about symbolic art in his Aesthetics.
    黑格尔在《美学》中论及象征型艺术时,以东方艺术作为观照对象,但他对东方艺术存在着明显的误读。本文从三个方面对此进行了论述:一、黑格尔观点的片面性;
  • You can make profitable investments if you purchase an art object for your home.
    为家居购买意见艺术品或许是个有利可图的投资。
  • It is not only a kind of form of turning environmental art design into object, but also a carrier of conveying the thought of the designer.
    它不仅是环境艺术设计方案的一种物化表现形式,更重要的是对设计者思想传达的载体。
  • There is a misconception in modem philosophical aesthetical existence which takes art as a split object between objectivity and aesthetical subjectivity.
    中国当代哲学美学存在将艺术作为一个客观的与审美主体人分裂的对象来看待的误区。
  • Art is the object of feeling, and the subject of nature.
    艺术是情感的客观表现。
  • As of Ming art and ancient culture and art a good object.
    成为研究明代艺术以及古代文化艺术的一个绝佳对象。
  • The third chapter discusses the theory of art object as theoretical weapon for criticism of contemporary consumer and proposed vicious characteristic of art object in the consumer culture and simulacrum culture: kitsch, value differences, virtual, implosive.
    第三章论述鲍德里亚拿起作为物的艺术客体为理论武器,批判艺术客体在当代消费领域和拟像领域沾染上的恶性:媚俗性、价值差异性、虚拟性、内爆性。
  • He first confined the differences between the work of art and the aesthetic object, the activity of aesthetic experience is to match with the aesthetic object, which was considered as the result of the preliminary emotion.
    英伽登首先确立了艺术作品与审美对象的不同,与审美对象对应的是审美经验活动,他认为审美经验是初始情感贯注的结果。
  • This paper takes engineer who represents technology and architect who represents art as the research object, through their ideas of designs and analysis of works to discuss the phenomenon that the schism and corporation between the architect and the engineer.
    本文以建筑技术和艺术实施的本体&建筑师和工程师为研究对象,通过对他们的设计理念和作品的分析,来探究在历史上建筑师和工程师分野与合流的这个特殊现象。